“The Nina exists somewhere between mediums,” says Curator Sharon Coplan. “In Adam Pendleton’s hand-painted forms and Gabriela Hearst’s iconic silhouette, Nina Simone’s influence finds new expression, it’s intimate and enduring, a work of art.”

“Nina Simone’s childhood home is an essential landmark in our nation’s artistic and cultural landscape,” says Brent Leggs, executive director of the African American Cultural Heritage Action Fund and strategic advisor to the CEO of the National Trust for Historic Preservation. “This restoration effort affirms Nina Simone’s rightful place in the American story—one defined by brilliance, resilience, and the power of art to shape our collective conscience. The Action Fund is grateful to Adam Pendleton’s artistic and philanthropic commitment to preserving Nina’s legacy, and we are delighted to receive additional support through his collaboration with Gabriela Hearst and Sotheby’s.”

“This collaboration marks an exciting milestone for Sotheby’s as our first exclusive offering for the retail Salon at the Breuer, underscoring our commitment to the exceptional and our unique ability to present works that bridge art and luxury” says Whitney Miller, Sotheby’s Global Head of Retail and Programming. “We are honored to work alongside Gabriela Hearst and Adam Pendleton to preserve and celebrate Nina Simone’s legacy, building on our continued support following the 2023 benefit auction. We look forward to the exclusive presentation of the Nina bag, an editioned work that embodies the transformative power of art and fashion to serve the public good.”

ABOUT ADAM PENDLETON (b.1984)
Adam Pendleton, a central figure in contemporary American art, is known for paintings that have redefined the boundaries of abstraction. Upending linear compositional logic, Pendleton’s paintings are created through a distilled layering of gesture, fragment, and form. Each painting comes to life through expressionistic flourishes, stark contrasts, and subtle uses of material, tone, and finish, combined with a precision reminiscent of minimal and conceptual art. In 2008, he began to define his working method as Black Dada, a critical framework for exploring the relationship between Blackness, abstraction, and the historical avant-gardes—for which he is now widely recognized.

Pendleton’s painting process begins on paper, where he explores the full breadth of mark-making. He layers paint, spray paint, ink, and watercolor, integrating fragmentary text and geometric forms, often using stenciling techniques. These works on paper are photographed and then combined through a screen-printing process. Blurring distinctions between painting, drawing, and photography, the resulting paintings are a tangible manifestation of his belief in painting as a powerful “visual and conceptual force.”

Adam Pendleton: Love, Queen continues at the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, through 2027. In 2026, Pendleton will present solo exhibitions at the Langen Foundation, Neuss, Germany; the Stedelijk Museum Amsterdam; and the Philadelphia Museum of Art.

In 2024, Pendleton was honored with the Rosenthal Family Foundation Award for Painting from the American Academy of Arts and Letters. Recent solo and group exhibitions include Adam Pendleton: Love, Queen, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC (2025–2027); Imagining Black Diasporas: 21st-Century Art and Poetics, Los Angeles County Museum of Art (2024–2025); Adam Pendleton: Blackness, White, and Light, mumok—Museum moderner Kunst Stiftung Ludwig Wien, Vienna (2023–2024); Adam Pendleton: To Divide By, Mildred Lane Kemper Art Museum, St. Louis, MO (2023–2024); Whitney Biennial 2022: Quiet as It’s Kept, Whitney Museum of American Art, New York, NY (2022); Adam Pendleton: These Things We’ve Done Together, Montreal Museum of Fine Arts (2022); and Adam Pendleton: Who Is Queen?, Museum of Modern Art, New York, NY (2021–2022).

Pendleton’s work is held in numerous public collections, including The Museum of Modern Art, New York; the Solomon R. Guggenheim Museum, New York; the Whitney Museum of American Art, New York; the Studio Museum in Harlem, New York; the Carnegie Museum of Art, Pittsburgh; the Museum of Contemporary Art Chicago; the Los Angeles County Museum of Art; the Museum of Contemporary Art San Diego; the Virginia Museum of Fine Arts, Richmond; the Montreal Museum of Fine Arts; the National Gallery of Canada, Ottawa; Tate, London; and the Pinakothek der Moderne, Munich.